pornocerounonet

It raises a contextualization of graphic characteristics  over the on-line pornography

It generates linked speeches from the historical artistic parallelism of the media

Incorporates the retro graphic qualities of the digital environment to generate  contemporary aesthetic discourses

It restates the game and the playful character of the sexual activity

Critical re-reading of the alteration of the normative speeches

It raises irreverent conceptual questionings of fuzzy logic

It looks for an aesthetic of interactive kinematics under an exposition to digital experimentation

RemiXXX of sexual content

It seeks to visualize the symbolic space that rules over the natural representation

It raises to crack archaic ideological structures and of censorship

It passes through the anonymous processes of appropriation and re-signification

It looks for the public generation of new questions, more than to raise concrete answers

It questions typical references to the feminine roll in pornography

It seeks to link to the traditional analog processes to the digital environments

It raises the appropriation of pornographic material published in Internet to generate critical random speeches

Characterizes the Pixel as a strong erotic element

It raises to trivialize censorship, questioning consumerism

It is based on structures of cyclical and reproducibility series

Contrasts the amateur and the commercial character of Internet pornography

It associates concepts and processes that characterize the network with explicit sexual situations

It links with similar productions brewing a rhizomatic space for the viewer

Semantic visualization of the double language

Exploration of pornography in the public domain

It dislocates irreverent alternative thematic speeches

Speculates on the subversive and alternative in the pleasure of aesthetic enjoyment

Use of printed RETRO material, reactivated with contemporary formulations in the conceptual and aesthetic treatment

Raises self-referential works of nature to the digital condition

Systematic use of the aesthetics of digital error and the process of physical entropy

Reaction of voyeuristic situations that trigger questions of logical character

Construction of meta-languages associated to the network's own representative phenomena

Experimentation with analog and digital media of interactive animation

Links semantic structures of double meaning / It criticizes the prohibition as an educational method

Audio and visual plunderphonic activity

It explores experimental invoices and historical formal processes of the network

Causes imaginative evocations outside the plane of reality

It questions the monothematic loads of the pornographic narratives

Apropiation of tradicional audiovisual media (film 16mm, super 8, slides)

Reframing the digital status in visual and audio interaction

To present an open and public digital activity

To allow a horizontal distribution of free and direct acces to the content

Public participation and of colective interactiion